Tulsidas | |
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Born | 1532 Rajapur,Banda,Uttar Pradesh |
Died | 1623 (aged 91) Varanasi |
Pen name | Tulsi |
Occupation | Composer, Philosopher |
Nationality | Indian |
Genres | Religion |
Subjects | Philosophy |
Influenced
The north indian bhakti movement
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Tulsidas (also Tulasidas, Gosvāmī Tulsīdās, Tulasī Dāsa) (1532-1623) Devanāgarī: तुलसीदास) was a great Awadhi bhakta (devotee), philosopher, composer, and the author of Ramcharitmanas, an epic poem and scripture devoted to the Hindu God Rama.
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Tulsidas was born on the Shraavan Shukla Saptami, Vikrami Samvat 1554 (1498 A.D.) in Chitrakoot district, Uttar Pradesh, India ,[1] during the reign of Akbar to Hulsi and Atmaram Dubey. The popular verse in this regard is. Tulsidas was a saryupareen Brahmin of Parashara gotra.
"पन्द्रह सौ चौवन बिसै कालिन्दी के तीर |
श्रावण शुक्ला सप्तमी तुलसी धरे शरीर ||"
Tulsidas is regarded as an incarnation of the great sage Valmiki. In Bhavishyottar Purana, Lord Shiva tells Parvati how Valmiki got a boon from Hanuman to sing the glories of Lord Rama in vernacular language in the Kali Yuga. This prophecy of Lord Shiva materialised on the Shraavan Shukla Saptami, Vikrami Samvat 1554 when Valmiki reincarnated as Tulsidas.
"वाल्मीकिस्तुलसीदासः कलौ देवि भविष्यति | रामचन्द्रकथामेतां भाषाबद्धां करिष्यति ||"
-Bhavishyottar Purana, Pratisarga Parva, 4.20
Nabhadas, a contemporary of Tulsidas and a great devotee, also describes Tulsidas as incarnation of Valmiki in his work Bhaktmaal. Even the Ramanandi sect (Tulsidas belonged to this sect) firmly believes that it was Valmiki himself who incarnated as Tulsidas in the Kali Yuga.[2]
The name may be written in various ways. It is written as Tulasī Dāsa when the name is a transliteration of the Devanagari letters (as is the practice with most library catalogue systems) to indicate Sanskrit pronunciation of the letters or as Tulsidas when it is a transcription of the pronunciation in Hindi). Regardless of the way it is written, the name comes from two words: Tulasī, which is an Indian variety of the basil plant, and Dāsa, which means "servant" or, by extension, "devotee".
Ramacharitamanasa, an epic devoted to Rama, was the Awadhi version of Ramayana of Valmiki.It is not exactly the "Awadhi version", but the original one of its kind. Apart from "Awadhi"- three other languages are also seen in the epic Ramcharitmanas - they are "Bhojpuri", " Brijbhasa" and "bundeli" .Like many translations of the original Sanskrit Ramayana, it is read and worshipped with great reverence in many Hindu homes in India. It is an inspiring book that contains couplets in verse form called chaupai.
It is also called Tulsi-krit Ramayan and is as well known among Hindi-speaking Hindus in India. Many of its verses are popular proverbs in that region. Tulsidas' phrases have passed into common speech, and are used by millions of Hindi speakers (and even speakers of Urdu) without the speakers being conscious of their origin. Not only are his sayings proverbial: his doctrine actually forms the most powerful religious influence in present-day Hinduism; and, though he founded no school and was never known as a guru or master, he is everywhere accepted as both poet and saint, an inspired and authoritative guide in religion and the conduct of life.
Tulsidas professed himself the humble follower of his teacher, Narhari Das, from whom as a boy in Sukar-khet he first heard the tale of Rama's exploits that would form the subject of the Rāmcaritmānas. Narhari Das was the sixth in spiritual descent from Ramananda, a founder of popular Vaishnavism in northern India, who was also known for his famous poems.
There are numerous differences between Tulsi Rāmcaritmānas and Valmiki Ramayana. One example is the scene in which Kaikayi forces her husband to exile Rama. In Tulsi Das it becomes considerably longer and more psychological, with intense characterisation and brilliant similes.
Besides the Rāmcaritmānas, Tulsidas the author of five longer and six shorter works, most of them dealing with the theme of Rama, his doings, and devotion to him. The former are
His minor works include Baravai Ramayana, Janaki Mangal, Ramalala Nahachhu, Ramajna Prashna, Parvati Mangal, Krishna Gitavali, Hanuman Bahuka, Sankata Mochana and Vairagya Sandipini [3]. Of the smaller compositions the most interesting is the Vairagya Sandipani, or Kindling of continence, a poem describing the nature and greatness of a holy man, and the true peace to which he attains.
Tulsidas's most famous and read piece of literature apart from the Ramayana is the "Hanuman Chalisa", a poem praising Hanuman. Many Hindus recite it daily as a prayer.
The entire collection of compositions by Tulsi Das, consisting of 13 books, has been translated into English (as poems) by Binda Prasad Khattri (1898-1985). The work is however, yet unpublished.
नानापुराणनिगमागमसम्मतं यद् (RCM Balkand seventh verse)
Like Ramanuja, Tulsi believes in a supreme personal God, possessing all gracious qualities (sadguna), as well as in the quality-less (nirguna) neuter impersonal Brahman of Sankaracharya; this Lord Himself once took the human form, and became incarnate, for the blessing of mankind, as Rama. The body is therefore to be honored, not despised. The Lord is to be approached by faith (bhakti) disinterested devotion and surrender of self in perfect love, and all actions are to be purified of self-interest in contemplation of Him. Show love to all creatures, and thou wilt be happy; for when thou lovest all things, thou lovest the Lord, for He is all in all. The soul is from the Lord, and is submitted in this life to the bondage of works (karma); Mankind, in their obstinacy, keep binding themselves in the net of actions, and though they know and hear of the bliss of those who have faith in the Lord, they don't attempt the only means of release. The bliss to which the soul attains, by the extinction of desire, in the supreme home, is not absorption in the Lord, but union with Him in abiding individuality. This is emancipation (mukti) from the burden of birth and rebirth, and the highest happiness. Tulsi, as a Saryupareen Brahmin, venerates the whole Hindu pantheon, and is especially careful to give Shiva or Mahadeva, the special deity of the Brahmins, his due, and to point out that there is no inconsistency between devotion to Rama and attachment to Shiva (Ramayana, Lankakanda, Doha 3). But the practical end of all his writings is to inculcate bhakti addressed to Rama as the great means of salvation and emancipation from the chain of births and deaths, a salvation which is as free and open to men of the lowest caste as to Brahmins.
However it is important to understand that for Tulsidas "doctrine" is not so important. Far more relevant is practise, the practise of repeating Rama-Nama, the name of the Rama. In fact, Tulsidas goes as far as to say that the name of Rama is bigger than Rama Himself (कहउँ नामु बड़ राम तें निज बिचार अनुसार, [4]). Why is the name of Rama bigger than Rama? Because "Rama" is a mantra, a sound, the repetition of which can lead one to higher states of consciousness. Because the name itself contains Lord Rama himself in it. Rama itself means the one which is present in every atom of this universe (Ramta sakal jahan).
The literary worth of Tulsidas has been highlighted by Acharya Ram Chandra Shukla in his critical work Hindi Sahitya Ka Itihaas.Acharya Shukla has elaborated Tulsi's Lokmangal as the doctrine for social upliftment which made this great poet immortal and comparable to any other world littérateur.
In Growse's translation of the Rāmcaritmānas[5], will be found the text and translation of the passages in the Bhagatmala of Nabhaji and its commentary, which are the main original authority for the traditions relating to the poet. Nabhaji had himself met Tulsidas; but the stanza in praise of the poet gives no facts relating to his life – these are stated in the tika or gloss of Priya Das, who wrote in A.D. 1712, and much of the material is legendary and untrustworthy. Unfortunately, the biography of the poet, called Gosai-charitra, by Benimadhab Das, who was a personal follower and constant companion of the Master, and died in 1642, has disappeared, and no copy of it is known to exist.
In the introduction to the edition of the Ramayana by the Nagri Pracharni Sabha all the known facts of Tulsi's life are brought together and critically discussed. For an exposition of his religious position and his place in the popular religion of northern India, see Dr. Grierson's paper in the Journal of the Royal Asiatic Society, July 1903, pp. 447-466. (C. J. L.)
A manuscript of the Ayodhya-kanda, said to be in the poets own hand, exists at Rajapur in Banda, his reputed birthplace. One of the Bala-kanda, dated Samvat 1661, nineteen years before the poet's death, and carefully corrected, it is alleged by Tulsidas himself, is at Ayodhya. Another autograph is reported to be preserved at Maliabad in the Lucknow district, but has not, so far as known, been verified. Other ancient manuscripts are to be found at Benares. An excellent translation of the whole into English was made by F. S. Growse, of the Indian Civil Service (5th edition, Cawnpore, Kanpur, 1891).
A person from non-Hindi background may find Sri Ramcharitmanas bit difficult to understand. This mainly arise from the colloquialisms, and the idiomatic and elliptical structure of the sentences. These very difficulties constitute its peculiar value to the student who wishes to learn the Sri Ramcharitmanas. It disciplines the mind into recognizing words which have been distorted and twisted, and teaches one that a sentence can be turned upside down and inside out and yet remain intelligible. A nice introduction to the grammar of the Sri Ramcharitmanas was written by Edwin Greaves titled "Notes on the grammar of the Ramayan of Tulsi Das"[6] (1895).
Shree Ramachandra = Oh SrI rAmA Kripalu = the ever compassionate one bhajumana = Let my mind pray to (him) haraNa = one who destroys or chases away bhavabhaya = the fear of this world (bhavsAgar) - of the cycle of birth and rebirth Darunam = the harsh (world)
Tulsidas urges his mind to meditate on SrI rAmA, the ever compassionate one who will destroy all the fears that we have during this harsh life of ours.
nava kanjalOcana = [He has] eyes (lOcana) like a newly formed/tender (nava) lotus (kanj) kunjamukha = and a lovely face (mukha) like a lotus(kanj) karakanja = with soft hands like the lotus (kanj) pada kanjAruNam = and his feet (pada) are like the red (aruAa) lotus (kanj)
My Lord has large, lovely eyes like a tender/newly formed lotus, his arms and feet are like lotuses and his face is like the fully-blossomed lotus.
kandarpa = manmatha agaNita = countless amita = unmeasurable chavi = face/countenance navanIla = newly formed (nava) blue = (nIl) nIraja = lotus (blue lotus - nIlOtpalam) like sundaram = handsome paTa pIta = wearing pItAmbar mAnO taDita = my mind (not sure what taDita means) ruci Sucinaumi = I bow (naumi) to the pure one (Suci) who janaka sutA varam = is the husband (var) of the daughter (sutA) of janakA (sItA)
With a face like the nIlOtpalam, my lord's beauty exceeds that of countless manmathAs. I mentally bow down to him, who wears golden hued garments (pItAmbar), is pristine in his purity, and is the chosen lord of SrI sItA.
bhaju = pray to dInabandhu = friend (bandhu) of the downtrodden/poor/powerless (dIna) dinEsha = a scion of the sUrya vamSa dAnava daitya vamsha nikakandanam = (He) destroyed (nikandanam) the lineage (vamSa) of the demons (dAnav and daityas)
Pray to the Lord who is the friend and protector of the weak, the scion of the dynasty of the Sun is the destroyer of demons.
raghunanda = son of the raghUs (kula) Anandakanda = an ocean (kanda) of happiness (Ananda) kOshlacanda = darling (canda) of the kOsala dynasty dasharatha nandanam = son (nandanam) of King daSrath
This son of King daSrath, of raghuvamSa, is the darling of the kOsalas (the family/dynasty of his mother - kausalyA), and a never ending ocean of unending bliss.
shira mukuTa = with a crown (mukuTa) on his head (sir) kuNDala = dangling ear-rings tilaka = and a lovely tilaka on his forehead cAru = (looks) lovely udAra anga = his mighty (udAr) limbs (anga) vibhUSaNam = (are) decorated with ornaments
He wears a crown on his head, dangling ear-rings, and a lovely tilak on his forehead. His mighty arms are decorated with bracelets and armulets.
AjAnubhuja = his arms (bhuja) are long (AjAnu) - literally means when the hands reach the persons knees sharacApa dhara = wielding (dhara) a bow (cApa) and arrows (Sara) sangrAma jita khara duSaNam = who defeated (jita) khara and dUSaNa in a battle (sangrAm)
With long arms wielding a bow and arrows, he defeated khara dUSaNa (SUrpanakhAs brothers) in a battle.
iti vadati = thus (iti) says (vadati) tulasIdAs = the poet tulsIdAs shankara = Lord Siva shESa muni = (and) other (shESa) munis mana ranjanam = pleaser (ranjana) of their minds mama hrdaya kanja = in the lotus (kanj) of my (mama) heart (hriday) nivAsakuru = please reside (nivAs kuru) kAmAdi khaladala ganjanam = Oh Destroyer (ganjanam) of lust (kAma) and other vile deeds (khaladala)
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed (1911). Encyclopædia Britannica (Eleventh ed.). Cambridge University Press.